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659a80 whimsee 2024-01-10 06:19:04 1
# オーディション
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d5fb3e whimsee 2024-01-11 20:07:58 3
**オーディション** – *ōdishon***audition**. Auditions are held for different purposes: To be considered for an agency, to be chosen for a group, or to be selected for a role, etc. As such, what one does in an audition depends what they’re auditioning for. Some are line reads from the actual script, some are talent showcases, some are both.
659a80 whimsee 2024-01-10 06:19:04 4
d5fb3e whimsee 2024-01-11 20:07:58 5
Auditioning is part of the process (think of it as a job interview) and failure is common even for famous *seiyuu*. However, roles can also be **offered without an audition** (指名; *shimei*) because the role may have been written with them in mind or a prior working relationship makes them a more favorable option, or simply because they are more marketable since they may be asked to do more than just lend their voices for characters.
659a80 whimsee 2024-01-10 06:19:04 6
d5fb3e whimsee 2024-01-11 20:07:58 7
These can be seen as giving an unfair advantage since some production staff do supposedly play favorites, so sometimes they go out of their way to address it. In one such case, Millepensee, the production staff of *Cop Craft* [disclosed](http://blog.millepensee.com/?eid=562) that the casting of **Mayu Yoshioka** for Tilarna was through a blind audition and passed through different people including the author because the *seiyuu* and the studio (specifically the director) had worked together in *Wake Up, Girls! New Chapter* where she voiced Mayu Shimada.
659a80 whimsee 2024-01-10 06:19:04 8
d5fb3e whimsee 2024-01-11 20:07:58 9
Some casting connections are very apparent package deals by sponsors affiliated with the *seiyuu* because they had a hand in producing it (OP, ED, BGM, etc.). Those cases are fairly easy to spot. Note the *seiyuu*, look for the label or their subsidiaries in the credits, and you’ll find the connection.
659a80 whimsee 2024-01-10 06:19:04 10
d5fb3e whimsee 2024-01-11 20:07:58 11
Some castings are purely based on the author’s discretion. [Minami Tanaka’s leading role](https://cho-animedia.jp/event/41691/) for *The Spirit of Eternity Sword 3* came about because the author/game director was a fan of her as a radio personality and her voice was a good fit for the heroine Euphoria so he directly asked for her.
659a80 whimsee 2024-01-10 06:19:04 12
bd2de6 whimsee 2024-01-12 02:08:05 13
Depending on the project, auditions may take place a few months to a year before it comes out. It is overseen by the [sound director](https://seiyuu.yakuaru.com/%E3%81%8A%E3%82%93%E3%81%8D%E3%82%87%E3%81%86%E3%81%8B%E3%82%93%E3%81%A8%E3%81%8F%20%28%E9%9F%B3%E9%9F%BF%E7%9B%A3%E7%9D%A3%29) who makes casting calls to agencies and these may be selective or scattershot, with some sessions lasting multiple days. Some roles may be chosen by the *seiyuu* to audition for and the results might not always be what they expect but in a good way. Auditioning for a role doesn’t necessarily exclude them for others as there have been stories of *seiyuu* failing a role they auditioned for only to be given another role to try, which they eventually land.