Commit 69bd78

2024-01-10 21:57:05 whimsee: update
*references.md ..
@@ 2,9 2,7 @@
There can never be too many sources but one can never have enough time. For this glossary, I used other sources aside from personal experiences, observations and insight. I made use of wiki sources and dictionaries if applicable (not listed for there are too many). I used interviews, press releases, and staff/fan contributions and explainers, both in EN and JP, which are listed below. Some sources are _seiyuu_ radio shows and programs (untranslated), which are also noted. Some entries are made from a synthesis from different sources, feel free to ask if you have a question regarding those. 
- General, _afureko_, and recording sections
-
- (_Seiyuu_ numbers, scheduling, time management, etc.)
+ (*Seiyuu* numbers, scheduling, time management, etc.)
[https://soranews24.com/2020/02/15/japan-has-more-anime-video-game-actresses-than-ever-before-according-to-major-seiyu-magazine/](https://soranews24.com/2020/02/15/japan-has-more-anime-video-game-actresses-than-ever-before-according-to-major-seiyu-magazine/)
[https://www.reddit.com/r/seiyuu/comments/6m7u6b/seiyuu_voice_acting_time/](https://www.reddit.com/r/seiyuu/comments/6m7u6b/seiyuu_voice_acting_time/)
[https://seiyuuplus.wordpress.com/seiyuu-tamashii/](https://seiyuuplus.wordpress.com/seiyuu-tamashii/)
@@ 35,7 33,7 @@
[https://detail.chiebukuro.yahoo.co.jp/qa/question_detail/q1035825800](https://detail.chiebukuro.yahoo.co.jp/qa/question_detail/q1035825800)
[https://yumemon.com/archives/2067](https://yumemon.com/archives/2067)
- (_wankōrasu_)
+ (*wankōrasu*)
[https://music-planet.jp/blog/%E3%82%AA%E3%83%BC%E3%83%87%E3%82%A3%E3%82%B7%E3%83%A7%E3%83%B3%E3%81%AE%E3%83%AF%E3%83%B3%E3%82%B3%E3%83%BC%E3%83%A9%E3%82%B9%E3%81%A3%E3%81%A6%E4%BD%95%EF%BC%9F%E4%BB%8A%E3%81%95%E3%82%89%E8%81%9E/](https://music-planet.jp/blog/%E3%82%AA%E3%83%BC%E3%83%87%E3%82%A3%E3%82%B7%E3%83%A7%E3%83%B3%E3%81%AE%E3%83%AF%E3%83%B3%E3%82%B3%E3%83%BC%E3%83%A9%E3%82%B9%E3%81%A3%E3%81%A6%E4%BD%95%EF%BC%9F%E4%BB%8A%E3%81%95%E3%82%89%E8%81%9E/)
(Afureko and atereko. Not the only source since it was a mix of many others listed here and some wiki posts)
@@ 44,7 42,7 @@
(Track down/Mix down)
[https://ongakuyougo.conceptmol.com/%E3%83%88%E3%83%A9%E3%83%83%E3%82%AF%E3%83%BB%E3%83%80%E3%82%A6%E3%83%B3/](https://ongakuyougo.conceptmol.com/%E3%83%88%E3%83%A9%E3%83%83%E3%82%AF%E3%83%BB%E3%83%80%E3%82%A6%E3%83%B3/)
- (_Kariuta_; demo track)
+ (*Kariuta*; demo track)
[https://ennuirockmusic.jp/columns/86/#i-11](https://ennuirockmusic.jp/columns/86/#i-11)
(Hiroshi Kamiya – The Professional ENG SUB)
@@ 61,7 59,7 @@
(Differences, pros, and cons of seiyuu schools and training schools)
[https://www.anime.ac.jp/difference02/](https://www.anime.ac.jp/difference02/)
- (_Seiyuu_ schools)
+ (*Seiyuu* schools)
[https://manga.tokyo/otaku-articles/how-to-become-a-voice-actor-in-the-anime-industry](https://manga.tokyo/otaku-articles/how-to-become-a-voice-actor-in-the-anime-industry)
(Dummy Head Mic)
@@ 70,11 68,11 @@
(Situation CDs)
[https://woman.mynavi.jp/article/131217-18/](https://woman.mynavi.jp/article/131217-18/)
- (_Seiyuu_ castings and earnings)
+ (*Seiyuu* castings and earnings)
[https://seiyuuplus.wordpress.com/2015/07/04/71-seiyuu-castings-earnings-everything-in-between/](https://seiyuuplus.wordpress.com/2015/07/04/71-seiyuu-castings-earnings-everything-in-between/)
[https://yumemon.com/archives/2067](https://yumemon.com/archives/2067)
- (_Seiyuu_ nickname list)
+ (*Seiyuu* nickname list)
[https://seiyuunotabi.tumblr.com/post/108627856342/female-seiyuu-nickname-list](https://seiyuunotabi.tumblr.com/post/108627856342/female-seiyuu-nickname-list)
(Staff structure of _seiyuu_ radio programs) [https://www.reddit.com/r/seiyuu/comments/8b5cf3/the_staff_structure_of_seiyuu_radio_programs/](https://www.reddit.com/r/seiyuu/comments/8b5cf3/the_staff_structure_of_seiyuu_radio_programs/)
@@ 116,7 114,7 @@
(Tapestry reference)
[https://www.e-chirashi.biz/salespromotion/hannsoku/tapesuri/tapestries-essentials.php](https://www.e-chirashi.biz/salespromotion/hannsoku/tapesuri/tapestries-essentials.php)
- (_Buppan_ and resellers)
+ (*Buppan* and resellers)
[https://aqcg.jp/salesbusiness/](https://aqcg.jp/salesbusiness/)
(Media mix)
@@ 137,7 135,7 @@
(Difference between tanjōkai and seitankai)
[https://chigai-allguide.com/%E7%94%9F%E8%AA%95%E3%81%A8%E8%AA%95%E7%94%9F/](https://chigai-allguide.com/%E7%94%9F%E8%AA%95%E3%81%A8%E8%AA%95%E7%94%9F/)
- (_Tori_ and _ootori_)
+ (*Tori* and *ootori*)
[https://chigai-allguide.com/%E3%83%88%E3%83%AA%E3%81%A8%E5%A4%A7%E3%83%88%E3%83%AA/](https://chigai-allguide.com/%E3%83%88%E3%83%AA%E3%81%A8%E5%A4%A7%E3%83%88%E3%83%AA/)
(DD)
@@ 148,8 146,8 @@
Other sources:
- Mayu Yoshioka’s program _MyCloset_ for various notes about programs (#0, #6 latter half) and song recordings (#4 latter half), and stage play classifications (#0 latter half) + various _MyCloset_ blog posts related to theater.
+ Mayu Yoshioka’s program *MyCloset* for various notes about programs (#0, #6 latter half) and song recordings (#4 latter half), and stage play classifications (#0 latter half) + various *MyCloset* blog posts related to theater.
- _Rangaban_ (Run Girls, Run! Program) EP 5 and 6 about Recording, composers, arrangers, lyricists by MONACA’s Keiichi Hirokawa and Hidekazu Tanaka.
+ *Rangaban* (Run Girls, Run! Program) EP 5 and 6 about Recording, composers, arrangers, lyricists by MONACA’s Keiichi Hirokawa and Hidekazu Tanaka.
- _Shirobako_ and _Sore ga Seiyu_ (Dramaticized but true to a degree)
+ *Shirobako* and *Sore ga Seiyu* (Dramaticized but true to a degree)
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