There can never be too many sources but one can never have enough time. For this glossary, I used other sources aside from personal experiences, observations and insight. I made use of wiki sources and dictionaries if applicable (not listed for there are too many). I used interviews, press releases, and staff/fan contributions and explainers, both in EN and JP, which are listed below. Some sources are *seiyuu* radio shows and programs (untranslated), which are also noted. Some entries are made from a synthesis from different sources, feel free to ask if you have a question regarding those. 

(*Seiyuu* numbers, scheduling, time management, etc.)

[https://soranews24.com/2020/02/15/japan-has-more-anime-video-game-actresses-than-ever-before-according-to-major-seiyu-magazine/](https://soranews24.com/2020/02/15/japan-has-more-anime-video-game-actresses-than-ever-before-according-to-major-seiyu-magazine/)

[https://www.reddit.com/r/seiyuu/comments/6m7u6b/seiyuu_voice_acting_time/](https://www.reddit.com/r/seiyuu/comments/6m7u6b/seiyuu_voice_acting_time/)

[https://seiyuuplus.wordpress.com/seiyuu-tamashii/](https://seiyuuplus.wordpress.com/seiyuu-tamashii/)

(Linked posts in Audition entry)

[http://blog.millepensee.com/?eid=562](http://blog.millepensee.com/?eid=562)

[https://cho-animedia.jp/event/41691/](https://cho-animedia.jp/event/41691/)

(Glossary from *Sore ga Seiyu*)

[http://soregaseiyu.com/memo/](http://soregaseiyu.com/memo/)

(Western voice acting glossary)

[https://globalvoiceacademy.com/resources/glossary-of-voice-acting-terms/](https://globalvoiceacademy.com/resources/glossary-of-voice-acting-terms/)

(Etude)

[http://voice-actor.link/naritai/ability/](http://voice-actor.link/naritai/ability/)

[https://yumemon.com/archives/2215](https://yumemon.com/archives/2215)

(Mic work)

[htps://www.seiyu-target.com/entry/2019/01/01/153628t](https://www.seiyu-target.com/entry/2019/01/01/153628)

(Kiipu)

[https://www.esp.ac.jp/epv/glossary/02_13.htmlhttps://yumemon.com/archives/708https://yumemon.com/archives/508](https://www.esp.ac.jp/epv/glossary/02_13.html)

[https://yumemon.com/archives/708](https://yumemon.com/archives/708)

[https://yumemon.com/archives/5085](https://yumemon.com/archives/5085)

(wā-do kazu)

[https://detail.chiebukuro.yahoo.co.jp/qa/question_detail/q1035825800](https://detail.chiebukuro.yahoo.co.jp/qa/question_detail/q1035825800)

[https://yumemon.com/archives/2067](https://yumemon.com/archives/2067)

(*wankōrasu*)

[https://music-planet.jp/blog/%E3%82%AA%E3%83%BC%E3%83%87%E3%82%A3%E3%82%B7%E3%83%A7%E3%83%B3%E3%81%AE%E3%83%AF%E3%83%B3%E3%82%B3%E3%83%BC%E3%83%A9%E3%82%B9%E3%81%A3%E3%81%A6%E4%BD%95%EF%BC%9F%E4%BB%8A%E3%81%95%E3%82%89%E8%81%9E/](https://music-planet.jp/blog/%E3%82%AA%E3%83%BC%E3%83%87%E3%82%A3%E3%82%B7%E3%83%A7%E3%83%B3%E3%81%AE%E3%83%AF%E3%83%B3%E3%82%B3%E3%83%BC%E3%83%A9%E3%82%B9%E3%81%A3%E3%81%A6%E4%BD%95%EF%BC%9F%E4%BB%8A%E3%81%95%E3%82%89%E8%81%9E/)

(Afureko and atereko. Not the only source since it was a mix of many others listed here and some wiki posts)

[https://meaning.jp/posts/356](https://meaning.jp/posts/356)

(Track down/Mix down)

[https://ongakuyougo.conceptmol.com/%E3%83%88%E3%83%A9%E3%83%83%E3%82%AF%E3%83%BB%E3%83%80%E3%82%A6%E3%83%B3/](https://ongakuyougo.conceptmol.com/%E3%83%88%E3%83%A9%E3%83%83%E3%82%AF%E3%83%BB%E3%83%80%E3%82%A6%E3%83%B3/)

(*Kariuta*; demo track)

[https://ennuirockmusic.jp/columns/86/#i-11](https://ennuirockmusic.jp/columns/86/#i-11)

(Hiroshi Kamiya – The Professional ENG SUB)

[https://www.youtube.com/watch?v=mR8JSV18x7k](https://www.youtube.com/watch?v=mR8JSV18x7k)

(Yuki Kaji regarding scheduling and auditions ENG SUB)

[https://www.youtube.com/watch?v=lxReKBYvnIg

](https://www.youtube.com/watch?v=lxReKBYvnIg)[https://www.youtube.com/watch?v=ku-r5xsIM4k

](https://www.youtube.com/watch?v=ku-r5xsIM4k)[https://www.youtube.com/watch?v=P2oVaMvVGwY](https://www.youtube.com/watch?v=P2oVaMvVGwY)

(GARNiDELiA Interview regarding TV-size songs)

[http://www.japanaradio.com/node/82](http://www.japanaradio.com/node/82)

(Differences, pros, and cons of seiyuu schools and training schools)

[https://www.anime.ac.jp/difference02/](https://www.anime.ac.jp/difference02/)

(*Seiyuu* schools)

[https://manga.tokyo/otaku-articles/how-to-become-a-voice-actor-in-the-anime-industry](https://manga.tokyo/otaku-articles/how-to-become-a-voice-actor-in-the-anime-industry)

(Dummy Head Mic)

[https://cancam.jp/archives/91630](https://cancam.jp/archives/91630)

(Situation CDs)

[https://woman.mynavi.jp/article/131217-18/](https://woman.mynavi.jp/article/131217-18/)

(*Seiyuu* castings and earnings)

[https://seiyuuplus.wordpress.com/2015/07/04/71-seiyuu-castings-earnings-everything-in-between/](https://seiyuuplus.wordpress.com/2015/07/04/71-seiyuu-castings-earnings-everything-in-between/)

[https://yumemon.com/archives/2067](https://yumemon.com/archives/2067)

(*Seiyuu* nickname list)

[https://seiyuunotabi.tumblr.com/post/108627856342/female-seiyuu-nickname-list](https://seiyuunotabi.tumblr.com/post/108627856342/female-seiyuu-nickname-list)

(Staff structure of *seiyuu* radio programs) [https://www.reddit.com/r/seiyuu/comments/8b5cf3/the_staff_structure_of_seiyuu_radio_programs/](https://www.reddit.com/r/seiyuu/comments/8b5cf3/the_staff_structure_of_seiyuu_radio_programs/)

(Rōdoku CD)

[https://omocoro.jp/bros/kiji/204896/](https://omocoro.jp/bros/kiji/204896/)

Staff

(Stylist)

[https://careergarden.jp/stylist/](https://careergarden.jp/stylist/)

(Make-up artist)

[https://make-up.naruyo.net/](https://make-up.naruyo.net/)

(Cameraman)

[https://docoic.com/54299](https://docoic.com/54299)

(Promoter)

[https://www.tfm.co.jp/lock/sakana/index.php?itemid=12039&catid=17&catid=17](https://www.tfm.co.jp/lock/sakana/index.php?itemid=12039&catid=17&catid=17)

[https://www.tfm.co.jp/lock/sakana/index.php?itemid=9843&catid=27&catid=17](https://www.tfm.co.jp/lock/sakana/index.php?itemid=9843&catid=27&catid=17)

[https://clubberia.com/ja/features/columns2012/salesclerks/salesclerks01.html](https://clubberia.com/ja/features/columns2012/salesclerks/salesclerks01.html)

Press, goods and merch

(Butai aisatsu)

[https://meaning-difference.com/?p=1520](https://meaning-difference.com/?p=1520)

(Photobook distinctions)

[https://chigai-master.com/archives/363](https://chigai-master.com/archives/363)

(Artist book)

[https://d.hatena.ne.jp/keyword/%E3%82%A2%E3%83%BC%E3%83%86%E3%82%A3%E3%82%B9%E3%83%88%E3%83%96%E3%83%83%E3%82%AF](https://d.hatena.ne.jp/keyword/%E3%82%A2%E3%83%BC%E3%83%86%E3%82%A3%E3%82%B9%E3%83%88%E3%83%96%E3%83%83%E3%82%AF)

[https://athings.exblog.jp/363936/](https://athings.exblog.jp/363936/)

(Can badge sizes)

[https://www.e-anfini.co.jp/canbadge/items/](https://www.e-anfini.co.jp/canbadge/items/)

(Tapestry reference)

[https://www.e-chirashi.biz/salespromotion/hannsoku/tapesuri/tapestries-essentials.php](https://www.e-chirashi.biz/salespromotion/hannsoku/tapesuri/tapestries-essentials.php)

(*Buppan* and resellers)

[https://aqcg.jp/salesbusiness/](https://aqcg.jp/salesbusiness/)

(Media mix)

[https://www.marketing91.com/media-mix/](https://www.marketing91.com/media-mix/)

Events and Idols

(Women’s section)

[https://estpolis.com/2016/09/32173.html](https://estpolis.com/2016/09/32173.html)

(IEMs)

[https://www.sweetwater.com/shop/live-sound/in-ear-monitors/](https://www.sweetwater.com/shop/live-sound/in-ear-monitors/)

[https://www.sweetwater.com/sweetcare/articles/how-do-in-ear-monitors-work/](https://www.sweetwater.com/sweetcare/articles/how-do-in-ear-monitors-work/)

(Flower stands)

[https://hanalabo.net/2019/09/05/about-furasuta/](https://hanalabo.net/2019/09/05/about-furasuta/)

(Difference between tanjōkai and seitankai)

[https://chigai-allguide.com/%E7%94%9F%E8%AA%95%E3%81%A8%E8%AA%95%E7%94%9F/](https://chigai-allguide.com/%E7%94%9F%E8%AA%95%E3%81%A8%E8%AA%95%E7%94%9F/)

(*Tori* and *ootori*)

[https://chigai-allguide.com/%E3%83%88%E3%83%AA%E3%81%A8%E5%A4%A7%E3%83%88%E3%83%AA/](https://chigai-allguide.com/%E3%83%88%E3%83%AA%E3%81%A8%E5%A4%A7%E3%83%88%E3%83%AA/)

(DD)

[https://numan.tokyo/words/1moLw](https://numan.tokyo/words/1moLw)

(Center)

[https://news.dwango.jp/idol/18172-1609](https://news.dwango.jp/idol/18172-1609)

Other sources:

Mayu Yoshioka’s program *MyCloset* for various notes about programs (#0, #6 latter half) and song recordings (#4 latter half), and stage play classifications (#0 latter half) + various *MyCloset* blog posts related to theater.

*Rangaban* (Run Girls, Run! Program) EP 5 and 6 about Recording, composers, arrangers, lyricists by MONACA’s Keiichi Hirokawa and Hidekazu Tanaka.

*Shirobako* and *Sore ga Seiyu* (Dramaticized but true to a degree)